I finally got around to watching Jon Stewart’s return monologue. Yuck! I was a fan of Jon Stewart but this is ageist crap! Yes, Biden is old. So is Trump, as Stewart admits. While I have plenty of bones to pick with Biden (and I’ve been in the streets protesting some of his policies, especially around immigration and the Gaza war), we don’t have ranked choice voting in US presidential elections. And that means that absent some deep and unpredicted shift in the political landscape, either Biden or Trump will be elected in November.

There are many reasons to vote for Biden over Trump. While flawed (as we all are), he’s a basically decent person who has mostly used his time in office to better the lives of ordinary USArians and to improve the condition of the world. And despite a completely dysfunctional Congress, he has still managed to:

Now, about his opponent:

 

Bias Against Biden

Biden is not an existential threat to democracy. Biden was handed a government in complete chaos that had burned bridges with many of its allies and built back a functional government that honors its promises. Biden is about the good of the country, while Trump appears to be mostly concerned with leveraging his position for profit and inflating his already overweight ego. And Biden’s record of accomplishment after three years in office far outstrips Trump’s four years. 

So please tell me why the media is constantly dissing Biden because of his age and a perceived lack of mental acuity that by any reasonable standard is in better shape than Trump’s. How is it, for example, that the Washington Post (a liberal newspaper that prides itself on good journalism) actually ran a chart comparing how old Biden would be at the END of a second term with Trump’s age at the BEGINNING of a second term. 

I have that chart in an email dated February 9, 2024 entitled “The 5-Minute Fix: How should Democrats address Biden’s unpopularity?”; I can’t find it on washingtonpost.com and therefore can’t link to it. Because it’s copyrighted material, I can’t reproduce it here, but I’d be glad to forward that newsletter to anyone who requests it through the contact form. I can also link to the February 10th Today’s Edition Substack  newsletter by Robert Hubbell that mentions this chart along with five front-page New York Times stories about Biden’s age. And these are the liberals! WTF?

 

Proof that Age Doesn’t Matter

Finally, let’s look at five among thousands of models for aging with power:

  • Grandma Moses had a 25-year career as a painter, BEGINNING AT AGE 76
  • Pete Seeger was still writing and recording songs well into his 90s
  • Nelson Mandela became President of South Africa at age 76
  • My friends Frances Crowe and Arky Markham were both still activists on their 100th birthdays
  • Gray Panthers founder Maggie Kuhn and sexologist Dr. Ruth Westheimer were working on the sexuality of old people into their 80s (disclosure: I was a VISTA organizer for the Gray Panthers in 1979-80 and met Maggie once when she was 75)

You are never too old—or too young—to make a difference. Jon Stewart should know better, and so should we. Work to get ranked-choice voting and other reforms such as those outlined at https://www.americanprogress.org/article/its-time-to-talk-about-electoral-reform/ (scroll down to the section entitled “A range of possible electoral reforms”).

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When gallery owner Richard Michelson asked Jules Feiffer if he wanted a retrospective for his 89th birthday, the brilliant artist replied, “I am doing the best work I’ve ever done and want this exhibit to be new and explosive, with figures sprawling and flying everywhere, and focused on dance…It only took 89 years to figure out how to do this stuff!”

Jules Feiffer, 89, at Michelson Gallery, April 13, 2018
Jules Feiffer, 89, at Michelson Gallery, April 13, 2018

That wonderful and extensive show is now on display at R. Michelson Gallery in Northampton, Massachusetts. We went in to peruse it, and Rich’s wife Jennifer told us that Feiffer was about to do a Q&A. Of course we went upstairs, chatted a bit with Jules and his Phantom Tollbooth collaborator Norton Juster (who lives locally), and settled in to listen.

Jules has a quick and acerbic wit and a strong sense of social justice. Someone asked him what the best response was to the current situation in national politics and he instantly responded with a primal scream. I asked him how he was able to capture the 3-dimensional, flowing art of dance so well in static two-dimensional pictures and he talked about capturing the illusion, that everything was an illusion.

His new work is indeed brilliant. While it descends directly from his famous Village Voice cartoons of he 1960s and 70s, it really is what he told Rich. It has so much vibrancy, often very sophisticated and detailed captioning, and the figures really come alive—especially those using colored inks, which he’s begun to use here and there (though most of the show was black-and-white).

Jules is the latest in a long line of inspirational role models for growing older. I’ve profiled some of them here: Arky Markham, centenarian and activist; Bob Luitweiler, founder of the international homestay organization Servas, for instance I’ve been fortunate to know many others, including Pete Seeger and Chicago Seven/Eight defendant Dave Dellinger—with whom I became friends as a teenaged college student when he was 60, and whom I consider one of my personal mentors—as well as Gray Panther founder Maggie Kuhn; I met her when I was working for the Gray Panthers as a VISTA Volunteer, at the group’s national conference.

These are the kinds of people I want to emulate as I (hopefully) reach well past my current age of 61. When I was a teen activist, I often heard that I was too young to change the world. Now, I’m beginning to hear people tell me I’m too old to do the work I do. But I remind them that Grandma Moses started painting in her 70s and enjoyed a 20-plus-year run as a painter. Today, for example, I’m going networking at a sustainability fair, then attending a peace and tax fairness rally, then hiking a mountain, and probably going out to hear some live music or theater in the evening. You’re only as old as you feel.

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There are hundreds more I could honor. These 10 are all people I knew personally. I chose them somewhat randomly, basically who came top of mind first. I am grateful to all of them even if the interaction was painful when it happened.

  1. My mom, whose commitment to racial justice extended to desegregating the apartment building we lived in. She was also a tester for the Urban League, making sure that when a black family was told an apartment was already rented that it was really rented—by applying to live there.

    Walking my mother, Gloria Yoshida, into her 65th-birthday surprise party, 1998
    Walking my mother, Gloria Yoshida, into her 65th-birthday surprise party, 1998
  2. The speaker I heard when I 12, at my first peace demonstration, who told me the Vietnam war was undeclared—and brought my false reality crashing down around me.
  3. The idiot who made me sit in the children’s section of a movie theater with my full-price adult ticket (also age 12) and gave me my first experience of discrimination-based injustice (for being part of a class of people). I started a boycott of that cinema that has now continued for 48 years, and thus had the first experience of recognizing that I had power to change things.
  4. Mrs. Ehrlich of the Bronx High School of Science English Department in the 1970s, who believed the lie I’d told that I had turned in an assignment. Horrified, she said she’d never lost a student paper before. I felt intense guilt and realized that my action had hurt someone innocent. I’ve done my best not to repeat that and to take responsibility for my actions even when I don’t like the consequences.
  5. My first grade teacher, Mrs. Gross of Westchester Day School in the 1960s, who recognized that I was already a good reader and sat me in the back of the room with a 4th grade geography text while she inflicted Sally-Dick-and-Jane on the rest of the class. I still love reading, still love maps, and that was probably the first time I recognized how fascinating the world is, how people lived so differently in different parts of it.
  6. The college classmate who yelled at me that I was extremely and consistently selfish. It hurt like hell at the time, but on reflection, I realized he was right. And I changed my behavior! (Years later, I went up to him at a reunion and thanked him. He didn’t even remember the incident.)
  7. Dr. Jeffrey Lant, who was the first person to help me discover you-centered, benefit-focused marketing.
  8. Dean Cycon, CEO of Dean’s Beans, who combined the strongest moral compass and the best sense of humor of any business owner I know. (I never got to meet the late Ray Anderson; he might have topped Dean in his commitment).
  9. Maggie Kuhn, founder of the Gray Panthers, who started a whole social movement after mandatory retirement forced her out of a quiet job within the Presbyterian Church.
  10. Pete Seeger, who was probably the first to show me that the arts could change people’s minds and create action for social and environmental justice.
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To lose Pete Seeger so soon after Nelson Mandela–two great champions of justice and democracy! If you want to know the true definition of an American Patriot, it’s spelled P-e-t-e  S-e-e-g-e-r. Not only was he an extremely talented musician and a devoted rabble-rouser on a host of social, labor, and especially environmental causes–for which he suffered greatly in the 1950s and ’60s–and not only can he claim a major role in cleaning up the Hudson River and co-founding the amazing Clearwater sloop and organization and folk festival…he was one of the most humble people I’ve ever met.

I used to see Pete Seeger at the Clearwater Revival, wearing a volunteer shirt and picking up trash. I got to bang a few nails with him once as he was building the Woody Guthrie (one of I think three small boats he built along with the Clearwater and the Sojourner Truth). And I interviewed at least once, saw him perform dozens of times live and numerous more on TV–growing up as a public television kid in New York City, where once the blacklist was lifted, he was frequently found on Channel 13–and hung out with him at some People’s Music Network conferences. He helped start PMN, started Sing Out! magazine, the Newport Folk Festival, a bunch of environmental and peace organizations, and many other ventures for the public good.

His 1963 Carnegie Hall concert is one of the 10 albums I’d absolutely insist on having if I were stranded on a desert island with one CD holder. Among other things, it contains the best of his dozen or so recordings of Wimoweh, long before that other group made it a top-40 hit. I own many other of his records, but that one is a standout.

 

And Pete walked his talk. Though he could certainly have afforded much grander housing, he lived for the last many decades in a small cabin outside Beacon, New York, on his beloved Hudson River, heating with wood he chopped himself. Though he could have gotten all wrapped up in ego, he spent his entire life championing newer musicians. He helped bring Bob Dylan and Tom Paxton to the world’s attention, as well as later songwriters like Dar Williams and many others.

Pete was one of three amazing lifelong activists born in the spring of 1919 who I knew personally. Miriam Leader (not much known outside of her various home communities) passed about a year ago. And Frances Crowe continues her active work for peace, justice, and the environment. The world is richer because these three people with giant hearts walked its ground. Goodbye, Pete, and thanks for all you’ve done to make my life richer. You’re probably already starting to organize amongst the angels ;-).

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At 72, Lily Tomlin is biologically old enough to be my mother.

I had the good luck to see Tomlin perform Friday night at the Calvin Theater in Northampton, MA (a venue where I’ve seen many great shows). She is not slowing down. She’s still hugely funny, passionate about her work and her beliefs, and very athletic on stage. She’s able to create fleshed-out characters just by changing her body posture, voice/accent, and stage lighting—needing neither costumes nor props to “channel” acerbic Ernestine, the schizophrenic savant bag lady Trudy, a Texas-accented suburban housewife doing vibrator infomercials, or a mother calling her son to put down those assault weapons and landmines and go wash up for supper. And she had obviously spent some time researching the town where she would perform one night and be gone; she incorporated a surprising number of on-point local references that went beyond the obvious.

It was one of the best comedy shows I’ve ever seen. 36 hours later, I’m still rolling some of her routines through my head and laughing.

Pete Seeger, who turned 93 last week, is old enough to be Lily’s dad. His voice doesn’t have the power it had when he was Tomlin’s age, and he’s backed off from the multi-octave, almost operatic singing of his peak years (go listen to his soaring “Wimoweh” from his 1963 Carnegie Hall concert). These days, he doesn’t perform as often, and when he does, he spends a lot of time teaching songs, talking/chanting them, and letting the audience do much of the actual singing.

But at 93, he’s still living at home in his little cabin in Beacon, New York with his wife Toshi. Last I heard, he’s still chopping firewood for his woodstove. Certainly he still devotes prodigious energies to his many environmental and social justice campaigns. In fact, he performed at an Occupy rally in New York just this fall. There’s even a grassroots movement to nominate Seeger for the Nobel Peace Prize (note: as of this writing, the site is experiencing technical problems but claims more than 32,000 signatures).

I’ve been lucky to have great models for growing older all the way back to my childhood. I even worked as a paid organizer for the Gray Panthers for a year and a half in my 20s. And these two are only two of hundreds of people about whom I could say, “I want to be like that when I’m old.” But they’re both very public, and I happen to be thinking about them today. Here are a few lessons I take from Tomlin and Seeger:

  1. Doing what you love and are good at keeps you young
  2. Staying true to your values keeps you young
  3. Being appreciated by others  keeps you young (but note that Seeger was blacklisted and obscure for more than a decade during the McCarthy era)
  4. Finding the fun in life and enjoying the ride keeps you young
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For the last 28 years, I’ve lived in or just outside Northampton, Massachusetts. About ten years ago, Northampton established the position of City Poet Laureate, with a two-year term. Until two years ago, the post was mostly ceremonial. The official poet would occasionally show up and read a poem to mark some event or other, but kept a low profile.

Then Lesléa Newman was chosen for the post. She used her entire two years to work as a catalyst to bring poetry to the people–and the people to poetry. She organized event after event, and brought formidable community organizing skills into the task of making poetry relevant to every generation.

Among her accomplishments:

  • Filling an 800-seat theater with a poetry reading involving readers from the community as well as cities within a few hours drive (none of them superstars)
  • Getting poets to agree to write a poem a day for a month and get sponsors to pledge contributions, raing over $11,000 to benefit a literacy program that helps new immigrants
  • Putting together an anthology of local poets
  • Taking poetry programs into the schools
  • Providing exposure to local poets in a newspaper column
  • The list could go on and on. Newman has been a dynamo and an inspiration. Perhaps this is not surprising from a woman whose 57 published books (!) have included such groundbreaking material as Heather Has Two Mommies (possibly the first lesbian-friendly children’s book to get wide circulation, Letter to Harvey Milk, and one of the first novels about bulemia.

    In the United States, we tend to be uncomfortable with intellectuals. People who pride themselves on their lack of knowledge of the world around them actually do grow up to be President (GW Bush) and run for Vice President (Palin). When we do elect a leader who’s an intellectual, like Barack Obama or Bill Clinton, it’s because they disguise it well, and we see pictures of them doing “man of the people” activities like chowing down burgers at McDonald’s (Clinton) or taking his kids to the bumper cars at a fair (Obama). I think the last prominent US leader who was not afraid to show himself as an intellectual may have been Franklin Roosevelt.

    Other countries treasure their artists, and especially their dissident artists. The first president of free Senegal was the poet Leopold Senghor; in the Czech Republic, it was the playwright Václav Havel. In the United States, yes, we’ve had a number of Presidents who’d written books before taking the office, including both JFK and Nixon as well as Obama (and his former opponent Hillary Clinton)–but these people were already in public life when they wrote their books. Outside of the movies, which gave us Reagan, Schwarzenegger, and even former Carmel, California mayor Clint Eastwood, it’s hard to think of major US policy makers who really came up out of the arts.

    We’ve had plenty of dissident artists, some of them even pretty famous (Bob Dylan, Pete Seeger, Ani DiFranco). But while art can shape people’s movements, as protest folk and protest rock helped to solidify protests against segregation, the Vietnam War and nuclear weapons, it doesn’t seem to shape policy. And in many cases, we find that the dissidents who achieve fame are quieter about their dissent, at least until they’ve already achieved fame (classic example: John Lennon, who did become quite visible in the peace movement after moving to New York). Not too many people stop to analyze the working-class-hero lyrics of Bruce Springsteen and find the progressive values underneath, because it’s cloaked in something that looks superficially like a right-wing version of patriotism. But get down-and-dirty with the lyrics of “Born in the USA”, and you’ll see it’s about a Vietnam vet who went into the army because he grew up in a depressed town, couldn’t find work, and got into trouble–and then after his hitch still can’t find a job.

    Hey, Bruce, ever thought about running for office?

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