This is the first viral video I’m linking from in a year and a half dong this blog.

A film that morphs the faces of women from great paintings throughout history.

Of course, the marketing implications of viral travel of humor or inspiration over the Net have been known for a while–but this one made me think about art in an entirely new way. The paintings really seem to be alive.

As a marketer, I want to know why this had such a profound impact on me that I was instantly moved to share it not only with my humor email list, but for the first time, with my blog.

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…And they should be trying to invest in this.

In three days at Book Expo America, I saw one technology that could really alter the world.

Because FedEx’s whole model is based on the need to transport paper around the world quickly–in situations where fax or e-mail isn’t practical for one reason or another. Situations that require a physical signature on an original document. FedEx, DHL, UPS, USPS, and all the other courier services need to know that the real business they are in at least as much about transporting signatures as in transporting large documents that would be unwieldy via electronic technologies.

Frustrated by the demands of wearying multicity author tours, acclaimed novelist Margaret Atwood was signing for a package on an electronic tablet. I’m sure you’ve done it. Mistakenly, she believed that she was actually creating a physical signature on a piece of paper, remotely–so, she thought, why can’t I sign a book in my house? After all, it’s been possible for years to do author events by video or audio, remotely. Why not a long-distance book signing?

And now she can. Using two-way videoconferencing, she can interact with a fan or group of fans anywhere in the world, and when a bookstore staffer puts a book under the pen at the other end, she can inscribe and personalize the book.

Interestingly enough, a lot of the company’s promotional material focuses on the “Green” feature: the amount of carbon saved in not flying. Of course, the author who doesn’t have to slog through international border crossings, airports, hotel rooms, and the rest of the grind may or may not be thinking about carbon offsets. And, of course, it’s going to be waaaay cheaper than a year’s worth of book tours–though once the novelty wears off, readers/fans may not find it as satisfying as a real in-person appearance.

Atwood’s company is called Unotchit and the product is Long Pen (TM). I couldn’t find any pricing information on the site but I’m sure that in most cases, a bookstore or other venue will install the device and then loan out the writing tablet (and, if necessary, the video cam) to the author, so the equipment cost will be relatively manageable. And I’m guessing, ironically enough, that a lot of those tablets and cams will be shipped by FedEx

This has huge implications–not only in publishing but in sports, finance, real estate (think about closings with absentee owners), music, international business, and probably dozens of other industries.

You heard it here first.

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Ever been to a rock concert where the merchandise sales tables has more books than CDs? I went to one Friday night in New York: the literary all-star band called the Rock-Bottom Remainders (a remainder, in the publishing world, is a book that the publisher gives up on and sells at a deep discount–these are the fancy $30 art books you see marked down to $8, for instance).

This band consists of people known for their books–Stephen King, Amy Tan, Dave Barry, among others. they did have Roger McGuin of the Byrds sit in for a few songs (and he sounded great!). Missing the introductions while waiting to get in on that looooong line, I couldn’t figure out who the female singer with the black hair was who could actually sing. (I did figure out that it wasn’t Amy Tan, who has brown hair.) Later, my distributor, who came with me to the concert, told me it was Mitch Albm’s wife. But for the rest of them, it’s good clean fun, and the idea isn’t so much to sound terrific as to throw a great party.

And they did, singing mostly songs of the 1960s and early 70s–everything from “My Boyfriend’s Back” to “Don’t Fear the Reaper.”

It’s been a decade or two since I’ve been to a packed New York nightclub–in this case Webster Hall, a fabulous old theater on East 11–and I’d forgotten that in New York, they multiply the legal capacity by several times when they determine the number of tickets to sell. The place was so crowded I literally couldn’t take off my backpack (filled with books and a laptop and probably weighing around 10 pounds). Ever try dancing like that? I could only stay an hour before my feet, worn down by eight hours of walking the BEA show floor, told me I had to stop.

But unlike the typical NYC crowd, nobody was rowdy on that long line to get in. All the booksellers and publishers sedately stood and waited our turn (in our case about 20 or 30 minutes).

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This blog may be pretty quiet for the next several days, unless I get a chance to post from the show–but with all the appointments I have, I doubt I’ll have time.

One of the interviews I’ve got scheduled is with the founding president of Viacom. He’s pitching his new book, of course, but I intend to ask some hard questions about media consolidation and the death of the mid-list book at large publishing companies (Viacom owns Simon & Schuster, which published one book of mine and one of my wife’s, and numerous other imprints).

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OK, so in December, I turned 50–and since I love discounts, of course I sent in my $7.50 to join the AARP (used to stand for American Association of Retired persons, I believe).

Well, I was looking at the organization’s magazine today and I was astonished by the lineup for the fall conference in Boston, just two hours drive from me: Headlined by Rod Stewart in concert, and featuring such Boomer luminaries as Whoopi Goldberg, Lily Tomlin, Maya Angelou, and Bill Russell.

I’ve got a wedding in Maryland that weekend, but I just might drive in for Friday’s program. Cheap, too–member price is $15 for the speakers and $25 extra for each concert.

Wow! Not at all what I expected, with my memories of AARP (from my days as an organizer with the Gray Panthers, back in 1979-80) as a very stodgy organization.

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Guy Kawasaki reviews Founders at Work: Stories of Startups’ Early Days–and quotes some wonderful anecdotes from some of the biiig tech startups (Yahoo, Hotmail, etc.)

What a hoot–even if he can’t spell “chutzpah” (he thinks it’s “hootspah”)

As an early Mac adopter, I’ve been following Kawasaki since 1984, and enjoyed “The Macintosh Way” back in those ancient days. I also love that Apple gave him the title of evangelist. In fact, that book–and that attitude–were among the influences that eventually led me to write my award-winning sixth book, Principled Profit: Marketing That Puts People First, decades later.

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As it happens, tonight is the final run of a play that I’m in, about the courage of one Christian scholar, Johannes Reuchlin, who defends Jewish holy books from the German Catholic church’s attempt–with the aid of a converted former Jew, Johannes Pfefferkorn–to confiscate and destroy them.

The play is called “Burning Words,” by Peter Wortsman. It’s based on real events, and the main characters show up in a Google search.

The author has been present for the entire three-show run, doing talkbacks after the show.

Last night, he spoke movingly of the play’s relevance for our time. He cited fundamentalist zealots of several major religions who have gotten into positions of power, and who have tried to foist equally crazy schemes on the rest of us, including the destruction of ancient and irreplaceable iconic art (such as the Taliban’s wanton despoliation of an ancient Buddhist monument in Afghanistan).

I’m proud to be a little part of this small effort to bring free speech and freedom of worship issues to the foreground.

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Just saw this movie today. Not only is Williams brilliant as the comedian running for President–and dealing with the ethical dilemma of his life–but the movie makes wonderful points about vulnerability of electronic voting machines, ruthlessness of certain corporations, politicians of both major parties and their all-too-cozy relationships with special interests, and more.

No matter what your politics, it’s a great romp making serious points. Ideally, see it *before* the election. And tell your friends.

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For maybe a year now, there’s been huge buzz about the movie “The Secret” and its cast of well-known millionaire lifestyle gurus. I saw the trailers many months ago and was frankly blown away by them. They were intensely cinematographic, full of sound and motion, filmed at least as powerfully as anything I’ve seen coming out of Hollywood–and, like any good promo piece, they created a desire to experience the entire film. You can see the latest version of the trailer here, although this time it crashed Firefox twice when I tried.

Yet I held back. There’s so much I need to do on the computer, every single day, that it’s hard for me to find the time to watch a 108 minute movie, especially since when my computer is paying a DVD, it hides all the other applications.

Yesterday, after two days in a row where I hadn’t gotten a lot done, I received an e-mail from my colleague Joe Nicassio, containing a link to a copy posted at MySpace, with no charge for viewing. Knowing that such things didn’t happen by coincidence and figuring perhaps it would help me get out of my rut, and understanding that watching it on MySpace would let me work on other things in the background, I gave it a try.

And the movie held my interest all the way through–something that’s not easy when most of it is “talking heads”: interviews of people, one on one. Sometimes they put more active sequences behind the voice, but there’s a lot of looking at people’s faces while they talk. And in the MySpace copy, the picture and sound are slightly out of synch and the film is slightly out of proportion, so that these heads seem unusually tall and thin. I imagine you don’t get these minor glitches if you pay your $4.95 for the official copy.

For the first 30 or 40 minutes, I didn’t even do anything else at the same time. After that, I felt I knew where it was going and started multitasking. Yet there were a few key sections where I stopped and gave it full attention.

However, I really didn’t see it as worthy of the hype. The core of the movie, the big secret of the title, is something I’ve known about for years: the Law of Attraction that says you attract to yourself whatever you focus on. And maybe for that reason it didn’t ultimately move me very far, because I’ve been living that truth for a long time. If this is the first time you’re exposed to it, it could easily shake up your whole world.

I started learning this lesson a few years after I published by fourth book, The Penny-Pinching Hedonist: How to Live Like Royalty with a Peasant’s Pocketbook: a book that shows people how to enjoy a lifestyle that would cost most people a lot of money, while spending little to nothing to achieve it. Perhaps because I’ve figured out many ways to slash the cost of travel, entertainment, fine dining, etc., I’ve never had a desire to be super-rich. I don’t need to. I travel frequently, live in a beautiful home, see lots of top-name concerts, etc., and in that e-book, now eleven years old, I tell others exactly how. But money is a means to these things, not an end. I have achieved them without anything close to a seven-figure income. You might say I’ve used the Law of Attraction–which, in my world, I call the Abundance Principle (and discuss in some detail in Principled Profit: Marketing That Puts People First–to bring those things into my life, bypassing money as an intermediary.

The film makes the point that you can use the Attraction Principle to improve your life and improve the world, not just on the material plane. But still, far, far too much is devoted to envisioning the car or house or beautiful necklace of your dreams, and far too little to healing the illnesses within yourself or in the world at large.

These small parts of the movie I think actually are life-changing: the woman who cures herself of cancer, the paralytic who beats the doctors and learns to walk again, the idea (quoting Mother Theresa) that if you want peace you don’t attend an anti-war rally, but a peace rally, because you don’t want to attract more war by paying too much homage to it…these concepts I’d have loved to see in more detail, but the coverage is scant. I love the idea that you can overcome even the toughest adversity by focusing on what you actually want, rather than where you’re stuck–and was deeply moved to hear people like Jack Canfield and Joe Vitale talk openly about the adversity in their own childhoods, that they’d learned to move past. I was especially struck by one doctor who was told as a child that his communication disorders were so severe that he’d never learn to write or converse.

When they make a sequel about applying these principles to social change, I want to be there!

My recommendation: see it, but know that what you take away from it may be something other than what the hype has led you to believe.

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The most famous Native American musician of my generation and a bit older is Buffy Sainte-Marie, singer and songwriter who was never afraid to be political. She had numerous songs about peace and about Indian rights. In the early 80s, I actually got to interview her at some length for a long profile that was published in a computer magazine (the focus of the story was the many unique ways she used her Macintosh.)

Now an article posted on the Indian Country website alleges that she was the target of a campaign of deliberate suppression by the US government. That in fact, there was a widespread campaign to suppress political rock music during the years of Democrat Lyndon Johnson’s presidency–and this campaign went so far as to at least consider assassination attempts.

Sainte-Marie says she was blacklisted and, along with other American Indians in the Red Power movements, was put out of business in the 1970s.

”I found out 10 years later, in the 1980s, that [President] Lyndon Johnson had been writing letters on White House stationary praising radio stations for suppressing my music,” Sainte-Marie said in a 1999 interview with Indian Country Today at Dine’ College…

In the United States, her records were disappearing. Thousands of people at concerts wanted records. Although the distributor said the records had been shipped, no one seemed to know where they were. One thing was for sure: They were not on record store shelves.

”I was put out of business in the United States.”

Sainte-Marie is someone who I don’t believe would make this accusation unless she truly believed it–she has always struck me as a person of great integrity. But she’s got her dates wrong. “Universal Soldier” was first recorded in 1964; Johnson, known as a strong-arm kind of a guy from his days as a leader in the Senate, was President from 1964 to 1969–a time when protest music and counterculture music filled the airwaves. While it wouldn’t be entirely out of character for him, this kind of action seems a bit of a stretch. Richard Nixon (of whom these accusations could more easily be believed) was president from 1969-74.

The Indian Country article focuses on a court suit by one Charles August Schlund III, who

…stated he is a covert operative and supports Sainte-Marie’s assertions that the United States took action to suppress rock music because of its role in rallying opposition to the Vietnam War.

However, Schlund has not established credibility in my mind, and comes across in this article as pretty flaky. He sees a vast conspiracy to replace rock with the (often politically conservative) country music genre, orchestrated by the Rockefellers in order to control the natural resources of Vietnam.

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