The Best Exotic Marigold Hotel: Go See This Movie
“Everything will be all right in the end. If it is not all right, then it is not yet the end.”
—Sonny (Dev Patel), in “The Best Exotic Marigold Hotel”
What a delight! The more you’ve traveled in developing countries, the more you will relate to this charming and yet deeply socially conscious movie (I have not been to India, but I found that my experiences in Latin America—and particularly Mexico—made it very easy to relate to the characters and their adventures.)
First off, it’s an excellent window on India—not the glitzy and modern upper-class Mumbai or Delhi of so many Bollywood movies, but the noisy, colorful, aromatic and yes, gritty reality of the working classes and poor of a less touristed Indian city (Jaipur). Yes, pretty much every one has a mobile phone, the hotel owner has a computer (a very ancient one), and three of the characters work at an Internet customer service company. Yet feels like an India pretty much unaffected by rapid technological change, and I found that quite charming.
Second, it’s another terrific performance by Dev Patel (you’ll recognize him; he played the lead in “Slumdog Millionaire”), this time as the eternally optimistic keeper of the decrepit rusk of a hotel that he’s trying to reinvent as “The Best Exotic Marigold Hotel for the Elderly & Beautiful.”
We get to follow his first group of guests, a diverse bunch of aging Brits with a big range of reasons for making the trip. Some wholeheartedly embrace the adventure, one hides from it, and one enters the tableaux as an anti-black, anti-Indian racist who only crossed continents to get a faster and much less expensive hip replacement. Love interests and friendships spring up all over the place, including one traveler’s search for his long-lost male lover from 40 years earlier.
Besides the exotic travel and romantic comedy aspects, the movie addresses many issues at play in both India and the West: untouchability, arranged marriages versus love relationships, the economic collapse, same-sex relationships, racism, poverty, the place of secrets versus sharing in a relationship, cultural immersion versus tourism, family dynamics, and rose-colored-glasses optimism versus “business reality.”
and this from Shel, who only sees a couple of movies a year! (or am I far away and out of date?) Quite a rave review, anyway. Thanks Shel
I probably see more like six or eight a year in theaters more on video. Still not a priority compared with live music or theatre, but over time, I’ve seen quite a few more than in the past.
I loved this movie as well and so enjoyed your review. The only negative I had about the movie was that the fellow who found his long lost male sweetie had left his work, not because of any medical ailment (they have him just die sitting up in a chair ?!?!), but, merely, because he had gone to another retirement party and found the whole thing hollow — so to have another gay person in a movie be killed off and there wasn’t even any foundation for it was very short-sighted and ignores the history of cinematic doings of this sort in the context of otherwise thoughtful portraits. It didn’t even make sense in the context of the story. Having said that I can’t wait for our daughter (currently in India) to see it!!
They mention after the fact that he had a heart ailment but had kept that a secret. Better scripting would have foreshadowed that.Still, a minor complaint.
Sorry for the delay in approving. Both your post and Joel’s had been sequestered as probable spam. Computers!