Gladwell: Defining the Ethics Lines in Journalism, Book Writing & Speaking

Just stumbled across a fascinating article by Malcolm Gladwell, the brilliant and bestselling author of The Tipping Point and Blink, on the ethical issues he faces as a journalist who also writes books and also gives speeches. Among other things, he notes the latitude he has as a staff writer for the New Yorker compared to the extremely narrow ability to express any opinion he faced at his former employer, the Washington Post.

As a PR writer/consultant, speaker, journalist, book author, and webzine editor with a specialty in the intersection of marketing and ethics, I grapple with these issues every day. and I found myself not only agreeing with almost everything Gladwell says here (amazing considering the piece is four years old), but wishing I had written it.

Gladwell turns out to be quite good at defining his bo8undaries. An example:

On behalf of the business side of the New Yorker, I have repeatedly given talks or presentations to representatives of companies that advertise with the magazine. For some of those presentations, I have been paid. And on a number of occasions, those groups have included people from the U.S. automobile industry. Has that biased me in favor of the Big Three? Well, no. As I’ve stated, last January I wrote an article bitterly attacking the SUV, which has been the cornerstone of the financial success of Ford, General Motors and Chrysler over the past ten years. Giving a speech does not buy my allegiance to the interests of my audience. Why? Because giving a paid speech to a group for an hour is simply not enough to create a bias in that group’s favor. It’s a very different sort of transaction. I’m not invited to speak to those medical groups because I promise to agree with their position on health care, and I’m not invited to speak to groups from Detroit because I promise to agree with their position on SUVs. In fact, my position on health insurance or SUVs never comes up. I’m invited because those audiences want to hear about my work.

I say Bravo, and I recommend the piece highly–with the caveat that (like many great articles in the New Yorker) the piece is quite long and you’d be better off hitting the print button.